Lockdown
by Walter Dean Myers
Amistad (HarperCollins), February 2010
Crystal’s Thoughts:
Progress – a juvenile detention facility in upstate New York. Reese – a young man at Progress for stealing and selling a physician’s prescription pad. That would be the core of this slim volume telling Reese’s story and yet there is so much more because people are usually more than their circumstances. And, Myers gives us that picture once again.
Reese’s mother abuses substances; probably any substance she can get. His brother seems on the road to major prison time. But his younger sister Icy (nickname for Isis) lights Reese’s life. She’s smart, she’s funny, she cares, and there is hope for her.
Reese, himself, cares deeply, almost too much. In attempting to rescue a very young inmate from an older more violent inmate, Reese gets solitary which is almost like the whole of prison movies like Shawshank Redemption. Fairness doesn’t seem to be a part of the Progress world. At times, the director of the center seems to believe in the possibility that Reese is worth caring about and at other times, it seems the director only believes in the survival of his work release program. Which is also probably realistic.
The work release allows Reese to work at a nursing home. One of the nurses’ aides puts him to work in one room of a rather racist elderly Dutch-born man who we learn spent time in a Japanese prisoner of war camp as a child. The comparison of survival and imprisonment brings a bit of enlightenment to Reese about his own situation.
This book has received glowing reviews and obviously was a nominee for the National Book Award. And one reviewer stated specifically that this honest realistic book never felt preachy. I am a huge Walter Dean Myers fan and I have the greatest respect for reviewers but really? Not preachy? I felt as though the book was honest but completely a moral lesson. And, in the end it was only a moral lesson. Toward the end of the book the following words come from Reese: “I just need to stay away from people who give up on themselves. I know I am going to run into some bad stuff…I can look at that bad stuff and use it to remind me of what I don’t need in my life.”
Myers once again delivers an honest realistic portrayal of life but this time the message may overwhelm the story for his readers.
Naphtali’s Thoughts:
Reese is a 14-year-old boy serving a two-year sentence at Progress, a juvenile detention center in upstate New York. His crime: stealing a doctor’s prescription pad to and then selling them to a local drug dealer. Reese’s life inside Progress is tough but then, so is his life on the outside. His mother is an addict and can’t see past her own needs and wants. His brother is heading down a road that can only lead to prison. The only bright spot is his sister, Icy. She’s the one that makes Reese want to try harder and do better.
Initially, Reese seems stuck in the survival mode that characterized his life at home. Simply get through the day. But then he builds a kinship with one of the young inmates. Reese repeatedly tells the reader that this kid, Toon, is the outward reflection of Reese’s inner life. Toon is what Reese would look like if the world could see how he really felt. Scared and small. So, Reese sticks up for Toon and ends up in a world of trouble.
Reese is also involved with a work release program that allows him to work in a nursing home. It is at the nursing home that Reese meets an elderly Dutch man, Mr. Hooft, who spews horribly racist remarks and shares painful bits of his past. Though their interactions seem hostile and hateful at times, there is a bond that forms. Both of them want to be heard. Mr. Hooft simply wants someone to hear the stories that make up his life. Reese wants someone to see that he is more than his previous actions.
In this book, Walter Dean Myers does what he does best. He tells a truthful tale, in a truthful voice. Myers creates in Reese an idealized hurt child: one who recognizes the wrongs (both those that are his and those of others) and desperately works to move past them. Myers does venture further into moralizing than he normally does (which becomes most apparent in the unnecessary epilogue) which is unfortunate at the tale is plenty powerful without an overly apparent moral. Also, Reese’s vernacular narration can be hard to follow but does create an authentic tone for the novel. This honest novel is fascinating and true to Myers’s style.